Arkady and Boris Strugatsky

Arkady and Boris Strugatsky

Author Overview By the Side Quest Book Club Podcast

“Intelligence is the ability of a living creature to perform pointless or unnatural acts.” ~ Roadside Picnic

Why we love the Strugatsky Brothers

Slava and Jonathan discuss Roadside Picnic by Arkady and Boris Strugatsky. In this first part of a two-part series, the guys discuss the introduction and sections one and two.

Author Highlights

Here is what you can expect from a Strugatsky story…

  • Philosophical depth woven into science fiction

  • Complex and morally ambiguous characters

  • Allegories critiquing society and human progress

  • Dystopian and utopian themes in constant tension

  • Influential works that shaped global speculative fiction

Author Bio

Arkady Strugatsky (1925–1991) and Boris Strugatsky (1933–2012), known collectively as the Strugatsky brothers, were iconic Soviet science fiction authors who significantly influenced Russian and global speculative fiction in the 20th century. They collaborated on their writing from the 1950s until Arkady's death in 1991, producing some of the most important works of Soviet science fiction, including "Roadside Picnic," which was later adapted into Andrei Tarkovsky’s film "Stalker," and "Hard to Be a God."

Their novels and short stories are celebrated for their philosophical depth, complex characters, and social commentary, which reflect and critique life in the Soviet Union. Through allegorical and dystopian narratives, the Strugatsky brothers explored themes such as human progress, morality, and the tension between utopian ideals and reality.

As pioneering figures in Russian science fiction, their influence extends well beyond Soviet literature, inspiring adaptations in film, television, and video games. Today, readers and scholars regard Arkady and Boris Strugatsky as central figures in 20th-century science fiction, with their works continuing to capture the attention of fans of classic Soviet and Russian sci-fi around the world.

Their last works, published during the glasnost period, include: Khromaia sud'ba ["Lame Destiny"] (1989), which intertwines The Ugly Swans with other material from 1986; these works were eventually published together in English as Lame Fate / Ugly Swans (omnibus 2020; new translation by Maya Vinokour). Another significant work is Grad obrechennyi ["The Doomed City"] (written 1970-1987; published in 1989), which is perhaps their most substantial work to date. Additionally, there is Otiagoshchennye zlom, ili sorok let spustia ["Burdened by Evil, or 40 Years After"] (1989), a piece that evokes the style of Mikhail Bulgakov.

Arkady Strugatski also published a few items under the pseudonym S. Yaroslavtsev, with the only book-length work being ["Expedition to Hell"] (parts 1 and 2, 1974 *Mir priklyuchenij*; part 3, June-July 1984 Ural'skij sledopyt; 1988), which is a juvenile space opera based on a joint screenplay by the brothers for an animated film that was never produced.

Throughout their careers, the brothers evolved from a relatively optimistic perspective, where utopia seemed attainable in the near future, to a view that recognized the unresolved tensions between utopian ethics and the overwhelming nature of stagnation. They became the foremost Soviet science fiction writers, continuing a Russian literary tradition that spans from Nikolai Gogol and Shchedrin (Mikhail E. Saltykov [1826-1889]) to Vladimir Mayakovsky and Yuri Olesha (1889-1960). They tied for Russia's first Aelita Award in 1981, and several of their novels offer a profound commentary on the consequences of a society devoid of cognitive ethics, which can devolve into a predatory bestiary.

After Arkady's death in 1991, Boris became relatively inactive, though he published two novels—neither of which was translated: "Search for Designation; or, Twenty-Seventh Theory of Ethics" (1994) and "The Powerless Ones of this World" (2003), both under the pseudonym S. Vititsky. Their partnership had clearly been an intensely creative one.

This biography was inspired by the overview found on The Encyclopedia of Science Fiction. A great review of their works can be found on the Paris Review site as well.

Now that you've gotten to know Strugatsky’s a bit, check out their oeuvre.

Slava’s Thoughts

I’ve always been drawn to storytellers who layer meaning beneath the surface, and that’s why the Strugatsky brothers have become some of my favorite authors. Roadside Picnic, which we covered on the podcast, is a perfect example of why their work endures. On the surface it’s a story about alien visitation and the mysterious leftovers of contact, but at its heart it’s a sharp meditation on human nature. The Strugatskys take something extraordinary and filter it through the lives of scavengers, scientists, families, and opportunists—each seeing the Zone differently and revealing how desire, fear, and greed drive us.

I love science and speculative fiction because they operate on multiple levels: the thrill of strange landscapes and impossible tech, and the deeper mirror held up to society, politics, and morality. The Strugatskys were masters of that balance. Their spare, understated prose lets philosophical tension hum beneath every scene, turning wonder into an invitation to think about what makes us human.

Jonathan’s Thoughts

The Strugatsky brothers take science fiction and strip away spectacle until all that remains is mystery and consequence. Roadside Picnic isn’t about aliens so much as the shadow their visit casts: ordinary people hustling for scraps of incomprehensible technology, governments scrambling to contain what they can’t control. What gripped me most was how human it felt—greed, love, resignation—set against an unknowable backdrop.

I love how they use the Zone as a metaphor for ambition and temptation: a place where every choice has a price and every miracle cuts both ways. Their spare, matter-of-fact prose makes the strangeness sharper, forcing you to sit with questions instead of answers. Reading them feels less like solving a puzzle and more like staring into the dark and realizing the dark is staring back.

If you like Strugastky Brothers, you might like …

Ursala K. Le Guin

Genre: Speculative, Sci-Fi

Philip K. Dick

Genre: Speculative, Sci-Fi, Dystopian

China Miéville

Genre: Speculative, Sci-Fi, Dystopian

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